{"schemaVersion":"1.0.0","canonical":"https://songs.campzhe.com/poems/242-ling-tai/","contentKinds":{"original":"传世《毛诗》阅读正文","fullTranslation":"项目原创全文今译","interpretation":"项目综合阐释；推测性解释均保留边界说明","annotations":"项目据传统注疏与现代研究综合转述","materialNotes":"诗中名物与生活场景说明","geography":"教学综合示意，不代表精确创作地点或疆界"},"poem":{"id":"大雅-灵台","title":"灵台","group":"大雅","region":"大雅","collectionSection":"文王之什","theme":"宴飨","period":"西周","quote":"经始灵台，经之营之。","summary":"写宾主相会、饮宴奏乐与彼此劝勉，重心在礼意而不只在热闹","interpretation":{"scene":"文王规划灵台，百姓参与筑作，很快完成。台下鹿群、白鸟和池鱼活动，随后鼍鼓钟磬在辟雍奏响，苑囿与礼乐空间相连。","emotionalArc":"四章从营台速度转向麀鹿濯濯，再进入钟鼓逢逢。建筑权力先被自然生命柔化，最终由音乐赋予共同节奏，形成理想化盛景。","modernReading":"公共建筑的价值不在宏伟或赶工，而在是否真正开放、生态友好并服务居民。若劳动强度与使用权不透明，“民始附之”的赞语就需重新审视。\n\n台、沼、苑囿和辟雍把观测、游赏、动物与礼乐放在同一公共景观中。现代公共空间若要接近“与民同乐”，应让不同身份者都能进入、休息和使用，而非只在赞歌里宣称百姓主动赶工。鹿、鱼和白鸟也不是装饰资源，施工与游赏需尊重栖息环境。快速完工不等于管理优秀，工时、安全、补偿和维护同样应被记录。诗呈现的是理想王者景观，不能替真实劳役者作自愿证明。","boundary":"传统以为文王与民同乐，施工自愿性无法由赞歌证明。灵台、灵沼、辟雍的具体形制及彼此位置仍有学术争论。"},"stanzas":[{"id":"大雅-灵台-stanza-1","number":1,"segments":[{"id":"大雅-灵台-stanza-1-1","original":"经始灵台，经之营之。","translation":"开始规划灵台，测量经营这项工程。","rawBlock":0},{"id":"大雅-灵台-stanza-1-2","original":"庶民攻之，不日成之。","translation":"百姓共同修筑，没用几天便建成。","rawBlock":0},{"id":"大雅-灵台-stanza-1-3","original":"经始勿亟，庶民子来。","translation":"文王本不催促，百姓却像子女奔向父母般前来。","rawBlock":0}]},{"id":"大雅-灵台-stanza-2","number":2,"segments":[{"id":"大雅-灵台-stanza-2-1","original":"王在灵囿，麀鹿攸伏。","translation":"文王来到灵囿，母鹿安卧其中。","rawBlock":1},{"id":"大雅-灵台-stanza-2-2","original":"麀鹿濯濯，白鸟翯翯。","translation":"鹿群肥美洁净，白鸟羽毛明亮。","rawBlock":1},{"id":"大雅-灵台-stanza-2-3","original":"王在灵沼，于牣鱼跃。","translation":"文王来到灵沼，满池鱼儿跳跃。","rawBlock":1}]},{"id":"大雅-灵台-stanza-3","number":3,"segments":[{"id":"大雅-灵台-stanza-3-1","original":"虡业维枞，贲鼓维镛。","translation":"悬钟木架饰着锯齿和彩羽，大鼓和大钟一同陈设。","rawBlock":2},{"id":"大雅-灵台-stanza-3-2","original":"于论鼓钟，于乐辟雍。","translation":"钟鼓声多么和谐，辟雍宫中多么欢乐。","rawBlock":2}]},{"id":"大雅-灵台-stanza-4","number":4,"segments":[{"id":"大雅-灵台-stanza-4-1","original":"于论鼓钟，于乐辟雍。","translation":"钟鼓声多么和谐，辟雍宫中多么欢乐。","rawBlock":3},{"id":"大雅-灵台-stanza-4-2","original":"鼍鼓逢逢。矇瞍奏公。","translation":"鳄皮鼓咚咚作响，盲人乐师奏起美妙乐章。","rawBlock":3}]}],"windNotes":[{"name":"鹿","category":"动物","description":"鹿群和鸣、共同取食，常被写成宾主和乐、群体相亲的象征。","image":"/assets/windnotes/ink/lu.webp","imageAlt":"鹿水墨线描示意图","sourceIds":["maoshi","zhuxi","cheng","iozAnimals"],"excerpt":"王在灵囿，麀鹿攸伏。麀鹿濯濯，白鸟翯翯。王在灵沼，于牣鱼跃。","sourceLocators":[{"sourceId":"maoshi","locator":"大雅·文王之什·灵台；鹿；原句“王在灵囿，麀鹿攸伏。麀鹿濯濯，白鸟翯翯。王在灵沼，于牣鱼跃。”","precision":"篇内定位"},{"sourceId":"zhuxi","locator":"大雅·文王之什·灵台；鹿；原句“王在灵囿，麀鹿攸伏。麀鹿濯濯，白鸟翯翯。王在灵沼，于牣鱼跃。”","precision":"篇内定位"},{"sourceId":"cheng","locator":"大雅·文王之什·灵台；鹿；原句“王在灵囿，麀鹿攸伏。麀鹿濯濯，白鸟翯翯。王在灵沼，于牣鱼跃。”","precision":"篇内定位"},{"sourceId":"iozAnimals","locator":"大雅·文王之什·灵台；鹿；原句“王在灵囿，麀鹿攸伏。麀鹿濯濯，白鸟翯翯。王在灵沼，于牣鱼跃。”","precision":"篇内定位"}]},{"name":"钟","category":"礼乐","description":"青铜钟可单悬或编组悬挂，用于祭祀、宴飨等公共声响空间。","image":"/assets/windnotes/ink/zhong-scene-v3.webp","imageAlt":"钟水墨线描示意图","sourceIds":["maoshi","cheng","guoboMusic"],"excerpt":"虡业维枞，贲鼓维镛。于论鼓钟，于乐辟雍。","sourceLocators":[{"sourceId":"maoshi","locator":"大雅·文王之什·灵台；钟；原句“虡业维枞，贲鼓维镛。于论鼓钟，于乐辟雍。”","precision":"篇内定位"},{"sourceId":"cheng","locator":"大雅·文王之什·灵台；钟；原句“虡业维枞，贲鼓维镛。于论鼓钟，于乐辟雍。”","precision":"篇内定位"},{"sourceId":"guoboMusic","locator":"大雅·文王之什·灵台；钟；原句“虡业维枞，贲鼓维镛。于论鼓钟，于乐辟雍。”","precision":"篇内定位"}]},{"name":"乐舞","category":"活动","description":"礼仪中的舞常配合乐器、羽旄和队列展开，用身体动作呈现等级与共同节奏。","image":"/assets/windnotes/ink/yuewu.webp","imageAlt":"乐舞水墨线描示意图","sourceIds":["maoshi","zhuxi","cheng"],"excerpt":"于论鼓钟，于乐辟雍。鼍鼓逢逢。矇瞍奏公。","sourceLocators":[{"sourceId":"maoshi","locator":"大雅·文王之什·灵台；乐舞；原句“于论鼓钟，于乐辟雍。鼍鼓逢逢。矇瞍奏公。”","precision":"篇内定位"},{"sourceId":"zhuxi","locator":"大雅·文王之什·灵台；乐舞；原句“于论鼓钟，于乐辟雍。鼍鼓逢逢。矇瞍奏公。”","precision":"篇内定位"},{"sourceId":"cheng","locator":"大雅·文王之什·灵台；乐舞；原句“于论鼓钟，于乐辟雍。鼍鼓逢逢。矇瞍奏公。”","precision":"篇内定位"}]}],"textAnnotations":[{"term":"成之","pinyin":"chéng 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