{"schemaVersion":"1.0.0","canonical":"https://songs.campzhe.com/poems/238-yu-pu/","contentKinds":{"original":"传世《毛诗》阅读正文","fullTranslation":"项目原创全文今译","interpretation":"项目综合阐释；推测性解释均保留边界说明","annotations":"项目据传统注疏与现代研究综合转述","materialNotes":"诗中名物与生活场景说明","geography":"教学综合示意，不代表精确创作地点或疆界"},"poem":{"id":"大雅-棫朴","title":"棫朴","group":"大雅","region":"大雅","collectionSection":"文王之什","theme":"征役","period":"西周","quote":"芃芃棫朴，薪之槱之。","summary":"写出征、戍守或归途中人的处境，把战争与劳役落到具体的等待、离别和身体感受上","interpretation":{"scene":"棫朴灌木被砍作薪，众人聚集在水曲；周王身边奉璋执事、车马和乐队形成庄重场面。自然材料与礼器共同烘托人才汇聚。","emotionalArc":"五章由芃芃棫朴写到济济辟王，继而称倬彼云汉和寿考作人。声势越来越高，最终把王者能力归结为培养、组织群体。","modernReading":"人才不是领导者的私人装饰。现代组织若说“作人”，就应提供教育、授权和公平机会，让专业者能提出异议，而非只在仪式中列队。\n\n“作人”若有现代意义，应是让不同能力的人获得学习、实践和表达空间，而非把人才排成烘托领袖的仪仗。棫朴被伐作薪，也提示任何盛大礼仪都消耗自然材料和劳动；奉璋者、乐工与驾车者不是自动出现的背景。组织真正成熟时，专业者可以指出风险、拒绝不当命令，并在领导者离开后继续工作。诗里的济济场面是理想化赞颂，不能据此证明当时选任公平或人人有机会。","boundary":"传统多释文王能官人、群臣奉璋。棫朴树种、奉璋礼次和“作人”语法有异说；诗的赞颂不能直接证明用人制度实际公平。"},"stanzas":[{"id":"大雅-棫朴-stanza-1","number":1,"segments":[{"id":"大雅-棫朴-stanza-1-1","original":"芃芃棫朴，薪之槱之。","translation":"柞树和朴树茂盛成林，砍来作柴、堆起祭天。","rawBlock":0},{"id":"大雅-棫朴-stanza-1-2","original":"济济辟王，左右趣之。","translation":"仪容整齐的周王，左右群臣都奔来拥戴。","rawBlock":0}]},{"id":"大雅-棫朴-stanza-2","number":2,"segments":[{"id":"大雅-棫朴-stanza-2-1","original":"济济辟王，左右奉璋。","translation":"仪容整齐的周王，左右群臣捧着玉璋。","rawBlock":1},{"id":"大雅-棫朴-stanza-2-2","original":"奉璋峨峨，髦士攸宜。","translation":"玉璋高高举起，正是俊秀士人执礼的时刻。","rawBlock":1}]},{"id":"大雅-棫朴-stanza-3","number":3,"segments":[{"id":"大雅-棫朴-stanza-3-1","original":"淠彼泾舟，烝徒楫之。","translation":"泾水上的船队疾行，众人一同挥桨。","rawBlock":2},{"id":"大雅-棫朴-stanza-3-2","original":"周王于迈，六师及之。","translation":"周王出发远行，六军紧紧跟随。","rawBlock":2}]},{"id":"大雅-棫朴-stanza-4","number":4,"segments":[{"id":"大雅-棫朴-stanza-4-1","original":"倬彼云汉，为章于天。","translation":"浩瀚银河灿烂，成为天空的纹章。","rawBlock":3},{"id":"大雅-棫朴-stanza-4-2","original":"周王寿考，遐不作人？","translation":"周王健康长寿，怎会不培养人才？","rawBlock":3}]},{"id":"大雅-棫朴-stanza-5","number":5,"segments":[{"id":"大雅-棫朴-stanza-5-1","original":"追琢其章，金玉其相。","translation":"他的文章如玉精雕细琢，品德以金玉为本质。","rawBlock":4},{"id":"大雅-棫朴-stanza-5-2","original":"勉勉我王，纲纪四方。","translation":"勤勉不懈的君王，统领治理天下四方。","rawBlock":4}]}],"windNotes":[{"name":"薪柴","category":"器用","description":"砍伐、劈分并捆束的薪柴是日常燃料，也进入婚礼、劳作和家族分工的比兴系统。","image":"/assets/windnotes/ink/shuxin.webp","imageAlt":"薪柴水墨线描示意图","sourceIds":["maoshi","zhuxi","cheng"],"excerpt":"芃芃棫朴，薪之槱之。济济辟王，左右趣之。","sourceLocators":[{"sourceId":"maoshi","locator":"大雅·文王之什·棫朴；薪柴；原句“芃芃棫朴，薪之槱之。济济辟王，左右趣之。”","precision":"篇内定位"},{"sourceId":"zhuxi","locator":"大雅·文王之什·棫朴；薪柴；原句“芃芃棫朴，薪之槱之。济济辟王，左右趣之。”","precision":"篇内定位"},{"sourceId":"cheng","locator":"大雅·文王之什·棫朴；薪柴；原句“芃芃棫朴，薪之槱之。济济辟王，左右趣之。”","precision":"篇内定位"}]},{"name":"舟","category":"器用","description":"木舟用于渡河、交通与渔猎，也常承载漂流、远去和无法追回的情绪。","image":"/assets/windnotes/ink/zhou.webp","imageAlt":"舟水墨线描示意图","sourceIds":["maoshi","zhuxi","cheng"],"excerpt":"淠彼泾舟，烝徒楫之。周王于迈，六师及之。","sourceLocators":[{"sourceId":"maoshi","locator":"大雅·文王之什·棫朴；舟；原句“淠彼泾舟，烝徒楫之。周王于迈，六师及之。”","precision":"篇内定位"},{"sourceId":"zhuxi","locator":"大雅·文王之什·棫朴；舟；原句“淠彼泾舟，烝徒楫之。周王于迈，六师及之。”","precision":"篇内定位"},{"sourceId":"cheng","locator":"大雅·文王之什·棫朴；舟；原句“淠彼泾舟，烝徒楫之。周王于迈，六师及之。”","precision":"篇内定位"}]}],"textAnnotations":[{"term":"烝","pinyin":"zhēng","modern":"众多、久在","note":"古诗中常作众多或语助，需依语境理解。","sourceIds":["maoshi","zhuxi","cheng"],"matches":["烝"],"sourceLocators":[{"sourceId":"maoshi","locator":"大雅·文王之什·棫朴；词条“烝”","precision":"篇内定位"},{"sourceId":"zhuxi","locator":"大雅·文王之什·棫朴；词条“烝”","precision":"篇内定位"},{"sourceId":"cheng","locator":"大雅·文王之什·棫朴；词条“烝”","precision":"篇内定位"}]},{"term":"济济","pinyin":"jǐ jǐ","note":"众多而整齐庄重的样子。","sourceIds":["maoshi","zhuxi","cheng"],"matches":["济济"],"sourceLocators":[{"sourceId":"maoshi","locator":"大雅·文王之什·棫朴；词条“济济”","precision":"篇内定位"},{"sourceId":"zhuxi","locator":"大雅·文王之什·棫朴；词条“济济”","precision":"篇内定位"},{"sourceId":"cheng","locator":"大雅·文王之什·棫朴；词条“济济”","precision":"篇内定位"}]},{"term":"彼","pinyin":"bǐ","note":"指示代词，相当于“那、那个、那些”。","sourceIds":["maoshi","zhuxi","zhou"],"matches":["彼"],"sourceLocators":[{"sourceId":"maoshi","locator":"大雅·文王之什·棫朴；词条“彼”","precision":"篇内定位"},{"sourceId":"zhuxi","locator":"大雅·文王之什·棫朴；词条“彼”","precision":"篇内定位"},{"sourceId":"zhou","locator":"大雅·文王之什·棫朴；词条“彼”","precision":"篇内定位"}]},{"term":"于","pinyin":"yú","note":"介词，可表示在、到、向、对于；也可能是语气词。","sourceIds":["maoshi","zhuxi","zhou"],"matches":["于"],"sourceLocators":[{"sourceId":"maoshi","locator":"大雅·文王之什·棫朴；词条“于”","precision":"篇内定位"},{"sourceId":"zhuxi","locator":"大雅·文王之什·棫朴；词条“于”","precision":"篇内定位"},{"sourceId":"zhou","locator":"大雅·文王之什·棫朴；词条“于”","precision":"篇内定位"}]}],"researchSources":[{"id":"maoshi","short":"毛传·郑笺·孔疏","title":"《毛诗正义》","kind":"传世底本与注疏","url":"https://zh.wikisource.org/zh/%E6%AF%9B%E8%A9%A9%E6%AD%A3%E7%BE%A9"},{"id":"zhuxi","short":"朱熹《诗集传》","title":"《诗集传》","kind":"传统注本","url":"https://zh.wikisource.org/wiki/%E8%A9%A9%E9%9B%86%E5%82%B3"},{"id":"gaoheng","short":"高亨《诗经今注》","title":"《诗经今注》","kind":"现代注本","url":"https://books.google.com/books?id=OjvkzQEACAAJ"},{"id":"cheng","short":"程俊英、蒋见元《诗经注析》","title":"《诗经注析》","kind":"现代注本","url":"https://lib2.buct.edu.cn/bookInfo_01h0114296.html"},{"id":"zhou","short":"周振甫《诗经译注》","title":"《诗经译注》","kind":"现代注本","url":"https://ci.nii.ac.jp/ncid/BA60942546"}],"review":{"cutoff":"2026-06-30"},"place":"周原","province":"陕西岐山","note":"大雅中的周族史诗与周原、岐周传统密切相关。","confidence":"同域分散显示","judgments":{"period":{"label":"篇类范围推定","confidence":"中","statement":"依据篇类与礼乐语境归入西周范围，不等同于逐篇精确断代。","evidence":[{"sourceId":"maoshi","locator":"大雅·文王之什·棫朴；篇目与篇类归属"},{"sourceId":"cheng","locator":"大雅·文王之什·棫朴；篇题解说与时代讨论"}]},"geography":{"label":"同域分散显示","confidence":"低","statement":"雅、颂多不能落实到单一创作地点；坐标仅取相关礼乐或政治中心，供地图浏览。","evidence":[{"sourceId":"maoshi","locator":"大雅·文王之什·棫朴；篇目所属地域或篇类"},{"sourceId":"cheng","locator":"大雅·文王之什·棫朴；篇题地理说明"}]},"interpretation":{"label":"项目原创综合阐释","confidence":"阐释","statement":"场景、情感推进与今日重读属于项目在原文和注本基础上的现代解释，不作为可直接验证的历史事实。","evidence":[{"sourceId":"maoshi","locator":"大雅·文王之什·棫朴；传世正文及传统训释"},{"sourceId":"cheng","locator":"大雅·文王之什·棫朴；现代注释与篇意讨论"}]}},"song":{"src":"/assets/songs/generated/238-yu-pu.mp3","durationLabel":"1:29","introduction":"“芃芃棫朴”从水曲灌木与聚集人群起笔，奉璋者、车马和乐队成庄重场面，最终把王者之能落在组织众人。\n较密节拍牵动五章上扬，简洁铺开从材料走向礼器云汉，开阔声场托起“寿考作人”的昂扬祝颂。\n棫朴树种、礼次与“作人”之义各有解释，不据颂词断定制度，采用当代原创声音转译，不重建古乐。","form":"当代歌谣 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