{"schemaVersion":"1.0.0","canonical":"https://songs.campzhe.com/poems/150-fu-you/","contentKinds":{"original":"传世《毛诗》阅读正文","fullTranslation":"项目原创全文今译","interpretation":"项目综合阐释；推测性解释均保留边界说明","annotations":"项目据传统注疏与现代研究综合转述","materialNotes":"诗中名物与生活场景说明","geography":"教学综合示意，不代表精确创作地点或疆界"},"poem":{"id":"曹风-蜉蝣","title":"蜉蝣","group":"国风","region":"曹风","collectionSection":"曹风","theme":"生命","period":"春秋","quote":"心之忧矣，于我归处。","summary":"蜉蝣朝生暮死，引出生命短促与归宿之问。","interpretation":{"scene":"蜉蝣羽翼鲜明，像整齐华美的衣裳；它朝生暮死的短促生命，使歌者反复追问自己最终归于何处、在哪里休息。","emotionalArc":"三章从羽、翼写到蜕皮出穴，服饰由楚楚到麻衣如雪。外表越明丽，生命无常越突出，忧虑最终落在归宿而非装饰。","modernReading":"现代阅读可以把它当作有限生命的提醒：打扮和快乐并非虚妄，鲜明羽翼甚至让短暂时刻更值得珍惜；焦虑来自美丽无法回答“归于何处”。人需要的不只是延长时间，还需要关系、住所和能安放自己的长期生活。面对生命有限，可以安排今天真正重要的陪伴与工作，也要避免用无常为冲动消费、忽略责任或伤害他人辩护。","boundary":"蜉蝣成虫期短，但从水生幼期到羽化的生命周期远比“朝生暮死”复杂，诗采用的是古人可见的成虫经验。楚楚、采采、麻衣的关系及“归处”所指均有歧义，可涉及婚姻、死亡、居所或政治依归；项目不把它限定为及时行乐。"},"stanzas":[{"id":"曹风-蜉蝣-stanza-1","number":1,"segments":[{"id":"曹风-蜉蝣-stanza-1-1","original":"蜉蝣之羽，衣裳楚楚。","translation":"蜉蝣展开薄翼，像穿着鲜明整齐的衣裳。","rawBlock":0},{"id":"曹风-蜉蝣-stanza-1-2","original":"心之忧矣，于我归处。","translation":"我心中忧愁，不知哪里才是归宿。","rawBlock":0}]},{"id":"曹风-蜉蝣-stanza-2","number":2,"segments":[{"id":"曹风-蜉蝣-stanza-2-1","original":"蜉蝣之翼，采采衣服。","translation":"蜉蝣展开翅膀，仿佛穿着华美鲜亮的衣服。","rawBlock":1},{"id":"曹风-蜉蝣-stanza-2-2","original":"心之忧矣，于我归息。","translation":"我心中忧愁，不知哪里可以安息。","rawBlock":1}]},{"id":"曹风-蜉蝣-stanza-3","number":3,"segments":[{"id":"曹风-蜉蝣-stanza-3-1","original":"蜉蝣掘阅，麻衣如雪。","translation":"蜉蝣从洞穴中蜕变而出，麻衣洁白如雪。","rawBlock":2},{"id":"曹风-蜉蝣-stanza-3-2","original":"心之忧矣，于我归说。","translation":"我心中忧愁，不知哪里能让我停留。","rawBlock":2}]}],"windNotes":[{"name":"麻","category":"植物","description":"麻类茎皮纤维可绩线、织布和制绳，是日常纺织的重要原料。","image":"/assets/windnotes/ink/hemp-rural-path-v1.webp","imageAlt":"麻水墨线描示意图","sourceIds":["maoshi","zhuxi","cheng","ibcasPlants"],"excerpt":"蜉蝣掘阅，麻衣如雪。心之忧矣，于我归说。","sourceLocators":[{"sourceId":"maoshi","locator":"国风·曹风·蜉蝣；麻；原句“蜉蝣掘阅，麻衣如雪。心之忧矣，于我归说。”","precision":"篇内定位"},{"sourceId":"zhuxi","locator":"国风·曹风·蜉蝣；麻；原句“蜉蝣掘阅，麻衣如雪。心之忧矣，于我归说。”","precision":"篇内定位"},{"sourceId":"cheng","locator":"国风·曹风·蜉蝣；麻；原句“蜉蝣掘阅，麻衣如雪。心之忧矣，于我归说。”","precision":"篇内定位"},{"sourceId":"ibcasPlants","locator":"国风·曹风·蜉蝣；麻；原句“蜉蝣掘阅，麻衣如雪。心之忧矣，于我归说。”","precision":"篇内定位"}]},{"name":"衣裳","category":"器用","description":"“衣”与“裳”原本分指上衣和下裳；袍、泽、袪、襮等服装与部位进入日常照料和关系动作。","image":"/assets/windnotes/ink/yichang-layered-garment-v1.webp","imageAlt":"衣裳水墨线描示意图","sourceIds":["maoshi","zhuxi","cheng"],"excerpt":"蜉蝣之羽，衣裳楚楚。心之忧矣，于我归处。","sourceLocators":[{"sourceId":"maoshi","locator":"国风·曹风·蜉蝣；衣裳；原句“蜉蝣之羽，衣裳楚楚。心之忧矣，于我归处。”","precision":"篇内定位"},{"sourceId":"zhuxi","locator":"国风·曹风·蜉蝣；衣裳；原句“蜉蝣之羽，衣裳楚楚。心之忧矣，于我归处。”","precision":"篇内定位"},{"sourceId":"cheng","locator":"国风·曹风·蜉蝣；衣裳；原句“蜉蝣之羽，衣裳楚楚。心之忧矣，于我归处。”","precision":"篇内定位"}]},{"name":"采集","category":"活动","description":"采集野菜、桑叶和果实多由结伴劳动完成；反复的动作也自然形成歌唱节奏。","image":"/assets/windnotes/ink/caiji.webp","imageAlt":"采集水墨线描示意图","sourceIds":["maoshi","zhuxi","cheng"],"excerpt":"蜉蝣之翼，采采衣服。心之忧矣，于我归息。","sourceLocators":[{"sourceId":"maoshi","locator":"国风·曹风·蜉蝣；采集；原句“蜉蝣之翼，采采衣服。心之忧矣，于我归息。”","precision":"篇内定位"},{"sourceId":"zhuxi","locator":"国风·曹风·蜉蝣；采集；原句“蜉蝣之翼，采采衣服。心之忧矣，于我归息。”","precision":"篇内定位"},{"sourceId":"cheng","locator":"国风·曹风·蜉蝣；采集；原句“蜉蝣之翼，采采衣服。心之忧矣，于我归息。”","precision":"篇内定位"}]}],"textAnnotations":[{"term":"掘阅","pinyin":"xué 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